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	<title>Outdoors/ Spectacle de rue | Maresa von Stockert</title>
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		<title>Belongings</title>
		<link>https://maresavonstockert.com/project/belongings/</link>
		
		<dc:creator><![CDATA[Maresa von Stockert]]></dc:creator>
		<pubDate>Tue, 27 Oct 2020 13:50:49 +0000</pubDate>
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				<div class="et_pb_text_inner"><h3><strong>BE<em>LONGING(s)</em></strong></h3></div>
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				<div class="et_pb_text_inner"><p class="p3"><span class="s1"><strong>Years:</strong><i><br /></i></span><span class="s1">created 2014/15, on tour 2015 &#8211; 17 </span></p>
<p class="p3"><span class="s1"><b>Credits:</b></span></p>
<p class="p3"><span class="s1"><u>Performed by and created in collaboration with: </u></span></p>
<p class="p4"><span class="s1">Lee Carter,<br />Greige Cooke,<br />Anders Duckworth,<br />George Fellows,<br /></span><span class="s2">Anca Huma,<br />Eeva Juutinen (apprentice),<br /></span><span class="s1">Elena Lalucat,<br />Tuan Ly,<br /></span><span class="s2">Aine Reynolds (apprentice),<br /></span><span class="s1">Cecil Rowe,<br /></span><span class="s2">Alessandro Sabatini,<br />Megan Saunders,<br /></span><span class="s1">Devaraj Thimmaiah<br /></span><span class="s1">and<span class="Apple-converted-space">  </span>Elisa Vassena</span><span class="s2">.</span></p>
<p><u>Rehearsal Director &amp; Participation Lead (2016)</u>: Megan Saunders</p>
<p><u>Rehearsal Director &amp; Participation Lead (2017)</u>: Valentina Golfieri</p>
<p class="p3"><span class="s1"><u>Costume Design:</u>  </span><span class="s1">Libby Todd</span></p>
<p class="p6"><span class="s3"><u>Lighting Design</u> at Le Citron Jaune, CNAR</span><span class="s1">, Port-Saint-Louis-du-Rhône, FR and DanceEast, Ipswich, UK:<span class="Apple-converted-space">  </span>Liam Fahey</span></p>
<p class="p4"><span class="s1"><u>Set Design:</u>  a collaboration between</span></p>
<p class="p4"><span class="s1">Maresa von Stockert, the performers and Libby Todd</span></p>
<p class="p3"><span class="s1"><u>Choreography, Direction &amp; Concept:</u>  Maresa von Stockert</span></p>
<p class="p3"><span class="s1"><u>Funders &amp; Supporters:</u></span></p>
<p class="p7"><span class="s1"><span class="Apple-converted-space"><img decoding="async" class="wp-image-936 alignnone size-medium" src="http://maresavonstockert.com/wp-content/uploads/2020/09/ACE-logo-300x81.jpg" alt="" width="204" height="55" /> <img decoding="async" class="wp-image-937 alignnone size-full" src="http://maresavonstockert.com/wp-content/uploads/2020/09/Bitmap.jpg" alt="" width="117" height="99" />           </span></span></p>
<p class="p6"><span class="s1">With international support from: Atelier 231, Centre National des Arts de la Rue, Sotteville-lès-Rouen, FR; La Breche,Pole National des Arts du Cirque, Cherbourg, FR; Le Citron Jaune, Centre National des Arts de la Rue, Port-Saint-Louis-du-Rhône, FR; Le Fourneau, Centre National des Arts de la Rue, Brest, FR.</span></p>
<p class="p6"><span class="s1">With national support from: 101 &#8211; Outdoor Arts Creation Space, Newbury; Dance4, Nottingham; DanceEast, Ipswich.</span></p></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>BE<i>LONGING</i>(s)</strong> is a site-responsive promenade piece that meanders through in- and outdoor spaces, encouraging the audience to see the familiar in new ways whilst subtly provoking thoughts on migration and the notion of belonging. </span></p>
<p class="p1"><span class="s1">Performed by an international and intergenerational company of 9 dancers, the piece unfolds in three main scenes, each set in a different location. Combining contemporary dance and an integral use of objects and locality, the performers turn </span><span class="s2">industrial, derelict and residential landscapes</span><span class="s1"> into illusionary worlds.<span class="Apple-converted-space">  </span>Led along the way from one site to the next, the audience encounters additional pop up performance vignettes and installations created with, and performed by people from the local community.</span></p>
<p class="p1"><span class="s1">The piece is tailor-made to each place it tours to, influenced by its environment. In each city on tour, the work is adapted by Maresa von Stockert and her team of professional performers who come together with groups of local participants for a unique shared experience.</span></p>
<p class="p3"><span class="s1">Running time: circa 75 &#8211; 90 minutes depending on locations</span></p>
<h5 class="p1"><span class="s1"><i>&#8220;the best UK outdoor show at Brighton Festival 2016 … with a level of ambition and emotional content that our audiences rarely experience in outdoor work.” </i></span></h5>
<h5 class="p1"><span class="s1"><i>Andrew Comben, Chief Executive, Brighton Dome and Brighton Festival</i></span></h5>
<p>&nbsp;</p>
<h5 class="p3"><span class="s1"><i>&#8220;Tilted are without question one of the most interesting and accomplished companies to be working in the field of site-specific dance and physical performance. The quality of the choreography combined with the powerful use of physical location is remarkable.&#8221; </i></span></h5>
<h5 class="p3"><span class="s1"><i>2017, Simon Chatterton, Head of Outdoor Arts, 101 Outdoors Arts Creation Space &amp; New Greenham Arts</i></span></h5>
<h5 class="p1"> </h5>
<h5 class="p1"><span class="s1"><i>“BELONGING(s) was thought-provoking and inspiring.” </i></span></h5>
<h5 class="p1"><span class="s1"><i>2016, Anne Le Goff, Director Atelier 231 and Viva Cité Festival</i></span></h5>
<h5 class="p1"> </h5>
<h5 class="p1"><span class="s1"><i>&#8220;Such a beautiful and inventive piece &#8211; also so moving.&#8221; </i></span></h5>
<h5 class="p1"><span class="s1"><i>Bradley Hemmings, Artistic Director, Greenwich + Docklands International Festival</i></span></h5></div>
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				<div class="et_pb_text_inner"><p><span class="s1">Top line photo credits left to right: Vipul Sangoi, Dibs McCallum, Vipul Sangoi, Dean Buckfield, Joe Barnstop</span></p>
<p>Bottom line photo credits left to right: Vipul Sangoi, Vipul Sangoi, Victor Frankowski, Joe Barnstop</p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center; font-size: 16px;"><a href="https://maresavonstockert.com/contact-fr/">Contact </a>|<a href="https://maresavonstockert.com/contact/" target="_blank" rel="noopener"> Mailing List </a>| <a href="https://maresavonstockert.com/privacy-policy/">Privacy Policy</a></p></div>
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		<title>Fragile</title>
		<link>https://maresavonstockert.com/project/fragile/</link>
		
		<dc:creator><![CDATA[Maresa von Stockert]]></dc:creator>
		<pubDate>Tue, 27 Oct 2020 13:45:29 +0000</pubDate>
				<guid isPermaLink="false">http://maresavonstockert.com/?post_type=project&#038;p=517</guid>

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				<div class="et_pb_text_inner"><h3><strong>Fragile</strong></h3></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>Year:</strong> 2013 </span></p>
<p class="p1"><strong><span class="s1">Credits:</span></strong></p>
<p class="p4"><span style="text-decoration: underline;"><span class="s1">Performed by and created in collaboration with: </span></span></p>
<p class="p5"><span class="s2">Lucas Bergandi (tightwire)<br />Stephanie McMann<br />Beth Powlesland;<br />Laura Smith &amp; Mark Pieklo (trampoline) <br />and David Vossen</span><span class="s1"><br /></span></p>
<p class="p5"><span class="s2">The set has been created in collaboration with French scenographer Fabrice Deperrois of Les Plastiqueurs and Tilted’s production manager Jeremy Cox with structural engineering by Jason Tucker of Maltbury Staging. </span><span class="s1"><br /></span></p>
<p class="p4"><span class="s1"><span style="text-decoration: underline;">Sound design:</span> Oliver Thomas.</span></p>
<p class="p1"><span style="text-decoration: underline;"><span class="s1">Choreography, Direction &amp; Concept: </span></span></p>
<p class="p1"><span class="s1">Maresa von Stockert</span></p>
<p class="p1"><span style="text-decoration: underline;"><span class="s1">Funders and Supporters:</span></span></p>
<p class="p2"><span class="s1"><img decoding="async" class="wp-image-936 alignnone size-medium" src="http://maresavonstockert.com/wp-content/uploads/2020/09/ACE-logo-300x81.jpg" alt="" width="259" height="70" />.  <span class="Apple-converted-space">       </span></span></p>
<p class="p6"><span class="s2">Fragile was<span class="Apple-converted-space">  </span>commissioned by PASS – Circus Channel, an European network between UK and France, with La Brèche, Pôle National des Arts du Cirque de Base-Normandie (Cherbourg – Octeville) and SeaChange Arts, an Arts Development and Promotion Agency (Great Yarmouth) acting as co-producers together with Atelier 231, Centre National des Arts de la Rue and Viva Cité Festival (Sotteville-les-Rouen). </span><span class="s1">Fragile also received a Creation aid by the IN  SITU network, in the frame of the META project. </span>The project has been funded with support from the European Commission (DGEAC – Culture programme).</p></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>Fragile</strong> unfolds on a large-</span><span class="s2">scale transformative set that depicts a derelict building’s rooftop and subtly integrates a tightwire and a trampoline that tilts.<span class="Apple-converted-space">  </span></span><span class="s1">The choreography seamlessly combines contemporary circus, dance and physical theatre as it exposes tender as well as dysfunctional relationships that become entwined in this rooftop paradise of green discomfort and warped realities</span><span class="s2">.</span></p>
<p class="p3"><span class="s1"><strong>Fragile</strong> was on an extensive national and international tour from May until September 2013 &#8211; 32 performances in 3 different countries with audiences reaching altogether approximately 18,000 people. The tour included performances at </span><span class="s3">Asteroid Festival, Copenhagen, DK; Escapades d’été, Cherbourg, FR</span><span class="s4">; Festival Z&#8217;Amis, Soirs d&#8217;été, Caen, FR; Festival Sortie de bains, Granville, FR; Greenwich + Docklands International Festival, London, UK; Mintfest, Kendal Norfolk and Norwich Festival; Salisbury International Arts Festival, UK; Out There Festival, Great Yarmouth, UK</span><span class="s3">; </span><span class="s4">Regneville sur mer, FR; Stockton International Riverside Festival, UK</span><span class="s3">; </span><span class="s4">Viva Cité Festival, FR.</span></p>
<p class="p4"><span class="s1">Running time: 80 minutes</span></p>
<h5 class="p5"><span class="s1"><i>“a carpet of moss covers part of the set, greenery invites itself and takes over. As if reacting to the sylvan properties of the place, the performers hang upside down, in one movement defying gravity and classical perspectives, and at the same time the conventions of human relationships.” </i></span></h5>
<h5 class="p6"><span class="s1"><i>Antoine Boyer, Sylvain Marchand, ZEPA2 article</i></span></h5>
<p>&nbsp;</p>
<h5 class="p8"><span class="s1"><i>“…The hidden trampoline in the rooftop set is a delight and Laura Smith and Mark Piekloʼs expertly choreographed jumps and twists were poetry to watch.”</i></span></h5>
<h5 class="p9"><span class="s1"> <i>James Goffin, Norwich Evening News</i></span></h5>
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				<div class="et_pb_text_inner"><p>Top line photo credits left to right: <span class="s1">Sylvain Marchand,  David Morris, D.Daguier, David Morris</span></p>
<p>Bottom line photo credits left to right: David Morris</p></div>
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		<title>SEASAW</title>
		<link>https://maresavonstockert.com/project/seasaw/</link>
		
		<dc:creator><![CDATA[Maresa von Stockert]]></dc:creator>
		<pubDate>Tue, 27 Oct 2020 13:32:08 +0000</pubDate>
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				<div class="et_pb_text_inner"><h3><strong>SEASAW</strong></h3></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>Year:<br /></strong></span>2010-2012</p>
<p><strong><span class="s1">Credits:</span></strong></p>
<p class="p1"><span class="s1"><u>Performed by and created with:<br /></u></span></p>
<p class="p1"><span class="s1">Amy Bell<br />Neil Callaghan<br />Joss Carter<br />Andras Fodor<br />Kip Johnson<br />Eithne Kane<br />Adam Kirkland<br />Sally Marie<br />Stephanie McMann<br />Simon Palmer<br />Beth Powlesland<br />Alessandra Ruggeri<br />Louise Tanoto<br />Ming-Hei Wong</span></p>
<p class="p1"><span style="text-decoration: underline;">Rehearsal Director (2012):</span> Amy Bell</p>
<p class="p1"><span style="text-decoration: underline;">Sound Design:</span><span class="s1"> Jeremy Cox</span></p>
<p class="p1"><span style="text-decoration: underline;">Costume Design:</span><span class="s1"> Sayako Kaibuchi</span></p>
<p class="p1"><span style="text-decoration: underline;">Choreography &amp; Direction: <span class="s1"><br /></span></span><span class="s1">Maresa von Stockert</span></p>
<p class="p1"><u>Funders and Supporters:</u></p>
<p><img decoding="async" class="wp-image-936 alignnone size-medium" src="http://maresavonstockert.com/wp-content/uploads/2020/09/ACE-logo-300x81.jpg" alt="" width="226" height="61" /></p>
<p class="p1">Supported by Norfolk and Norwich Festival<br />and North Norfolk District Council.</p>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1">Integrating moving bodies into the vast landscapes of coast lines and framing them in the architecture of the outdoors</span>, <strong>SEASAW</strong> <span class="s1">playfully dissects existential questions exploring the impact of man on nature, and vice versa. </span>Merging contemporary dance and performance art, the site-responsive promenade piece plays with depth of field as it invites audiences to watch from varying distances, intimately close to afar.</p>
<p class="p1">SEASAW’s extensive national and international tour included: <span class="s2">Brighton Festival (Brighton, UK); Espace Michel-Simon (Noisy le Grand, FR); Festival Furies (Chalons en Champagne, FR); Festival Z’Arts Up! (Bethune, FR); Greenwich + Docklands International Festival (London, UK); Nausicaa (Boulogne sur Mer, FR); Norfolk and Norwich Festival (Cromer, North Norfolk, UK); Out There Festival (Great Yarmouth, UK); Pavilion Dance (Bournemouth, UK); Oerol (Terschelling, NL); Urban Moves (Manchester, UK); Stockton International Riverside Festival (Stockton-on-Tees, UK); Viva Cité (Sotteville lès Rouen, FR).</span></p>
<p class="p3">Running time: <span class="s3">60 – 70 minutes depending on promenade route</span></p>
<h5 class="p1"><i>“…Each performance was genuinely unique, attributable to original ideas and the subsequent creativity borne out of working in an outdoor site-specific setting. The work is engaging, challenging, witty, beautiful and poignant…”</i></h5>
<h5 class="p2"><span class="s1"><i>Derek Purnell, Animated Magazine, winter 2011<span class="Apple-converted-space">  </span></i></span><span class="s2"><i>&gt; Read full article</i></span></h5>
<p>&nbsp;</p>
<h5 class="p4"><i>“One of the most memorable performances betrayed seabirds in an oil slick…, it was a very powerful scene evoking a very serious issue, but to the children it appeared comical. This skill in making dances diverse enough to provoke different reactions ran throughout many of the pieces, due to clever choreography from Maresa von Stockert. … SEASAW created an hour of entertainment which remained with the viewer. It was beautifully performed, coordinated and delivered and wonderfully different.”</i></h5>
<h5 class="p4"><i>Jessica Marshall Mchattie, The Argus, 21 May 2012</i></h5>
<p>&nbsp;</p>
<h5 class="p2"><i>“An outdoor dance event is difficult enough to arrange but an outdoor site-specific promenade dance extravaganza is quite different. SEASAW is all of that.” </i></h5>
<h5 class="p2"><i>Kevin Berry, The Stage, Sept. 2012</i></h5>
<p>&nbsp;</p>
<h5 class="p6"><i>“…Von Stockert’s evocation of the sea includes pollution and environmental damage but it also has myths and poetry…</i><span class="s4"><i>.The performance is truly site-specific, making use of the landscape to hand…A model of how to do a promenade performance.</i></span><i>” </i></h5>
<h5 class="p6"><i>Zoë Anderson, Dancing Times, Aug. 2012</i></h5></div>
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				<div class="et_pb_text_inner"><p>Top line photo credits from left to right:  David Morris, David Morris, Roger Turley, Liam Fahey</p>
<p>Bottom line photo credits from left to right: Liam Fahey, Liam Fahey, David Morris, David Morris</p></div>
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		<title>Belongings_</title>
		<link>https://maresavonstockert.com/project/belongings-fr-translation/</link>
		
		<dc:creator><![CDATA[Maresa von Stockert]]></dc:creator>
		<pubDate>Wed, 20 Sep 2017 12:19:52 +0000</pubDate>
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				<div class="et_pb_text_inner"><h3><strong>BE<em>LONGING(s)</em></strong></h3></div>
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				<div class="et_pb_text_inner"><p class="p3"><span class="s1"><strong>Years:</strong><i><br />
</i></span><span class="s1">created 2014/15, on tour 2015 &#8211; 17 </span></p>
<p class="p3"><span class="s1"><b>Credits:</b></span></p>
<p class="p3"><span class="s1"><u>Performed by and created in collaboration with: </u></span></p>
<p class="p4"><span class="s1">Lee Carter,<br />
Greige Cooke,<br />
Anders Duckworth,<br />
George Fellows,<br />
</span><span class="s2">Anca Huma,<br />
Eeva Juutinen (apprentice),<br />
</span><span class="s1">Elena Lalucat,<br />
Tuan Ly,<br />
</span><span class="s2">Aine Reynolds (apprentice),<br />
</span><span class="s1">Cecil Rowe,<br />
</span><span class="s2">Alessandro Sabatini,<br />
Megan Saunders,<br />
</span><span class="s1">Devaraj Thimmaiah<br />
</span><span class="s1">and<span class="Apple-converted-space">  </span>Elisa Vassena</span><span class="s2">.</span></p>
<p><u>Rehearsal Director &amp; Participation Lead (2016)</u>: Megan Saunders</p>
<p><u>Rehearsal Director &amp; Participation Lead (2017)</u>: Valentina Golfieri</p>
<p class="p3"><span class="s1"><u>Costume Design:</u>  </span><span class="s1">Libby Todd</span></p>
<p class="p6"><span class="s3"><u>Lighting Design</u> at Le Citron Jaune, CNAR</span><span class="s1">, Port-Saint-Louis-du-Rhône, FR and DanceEast, Ipswich, UK:<span class="Apple-converted-space">  </span>Liam Fahey</span></p>
<p class="p4"><span class="s1"><u>Set Design:</u>  a collaboration between</span></p>
<p class="p4"><span class="s1">Maresa von Stockert, the performers and Libby Todd</span></p>
<p class="p3"><span class="s1"><u>Choreography, Direction &amp; Concept:</u>  Maresa von Stockert</span></p>
<p class="p3"><span class="s1"><u>Funders &amp; Supporters:</u></span></p>
<p class="p7"><span class="s1"><span class="Apple-converted-space"><img decoding="async" class="wp-image-2412 alignnone size-medium" src="https://maresavonstockert.com/wp-content/uploads/2020/09/ACE-logo-300x81.jpg" alt="" width="204" height="55" /> <img decoding="async" class="wp-image-2413 alignnone size-full" src="https://maresavonstockert.com/wp-content/uploads/2020/09/Bitmap.jpg" alt="" width="117" height="99" />           </span></span></p>
<p class="p6"><span class="s1">With international support from: Atelier 231, Centre National des Arts de la Rue, Sotteville-lès-Rouen, FR; La Breche,Pole National des Arts du Cirque, Cherbourg, FR; Le Citron Jaune, Centre National des Arts de la Rue, Port-Saint-Louis-du-Rhône, FR; Le Fourneau, Centre National des Arts de la Rue, Brest, FR.</span></p>
<p class="p6"><span class="s1">With national support from: 101 &#8211; Outdoor Arts Creation Space, Newbury; Dance4, Nottingham; DanceEast, Ipswich.</span></p></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>BE<i>LONGING</i>(s)</strong> is a site-responsive promenade piece that meanders through in- and outdoor spaces, encouraging the audience to see the familiar in new ways whilst subtly provoking thoughts on migration and the notion of belonging. </span></p>
<p class="p1"><span class="s1">Performed by an international and intergenerational company of 9 dancers, the piece unfolds in three main scenes, each set in a different location. Combining contemporary dance and an integral use of objects and locality, the performers turn </span><span class="s2">industrial, derelict and residential landscapes</span><span class="s1"> into illusionary worlds.<span class="Apple-converted-space">  </span>Led along the way from one site to the next, the audience encounters additional pop up performance vignettes and installations created with, and performed by people from the local community.</span></p>
<p class="p1"><span class="s1">The piece is tailor-made to each place it tours to, influenced by its environment. In each city on tour, the work is adapted by Maresa von Stockert and her team of professional performers who come together with groups of local participants for a unique shared experience.</span></p>
<p class="p3"><span class="s1">Running time: circa 75 &#8211; 90 minutes depending on locations</span></p>
<h5 class="p1"><span class="s1"><i>&#8220;the best UK outdoor show at Brighton Festival 2016 … with a level of ambition and emotional content that our audiences rarely experience in outdoor work.” </i></span></h5>
<h5 class="p1"><span class="s1"><i>Andrew Comben, Chief Executive, Brighton Dome and Brighton Festival</i></span></h5>
<p>&nbsp;</p>
<h5 class="p3"><span class="s1"><i>&#8220;Tilted are without question one of the most interesting and accomplished companies to be working in the field of site-specific dance and physical performance. The quality of the choreography combined with the powerful use of physical location is remarkable.&#8221; </i></span></h5>
<h5 class="p3"><span class="s1"><i>2017, Simon Chatterton, Head of Outdoor Arts, 101 Outdoors Arts Creation Space &amp; New Greenham Arts</i></span></h5>
<h5 class="p1"></h5>
<h5 class="p1"><span class="s1"><i>“BELONGING(s) was thought-provoking and inspiring.” </i></span></h5>
<h5 class="p1"><span class="s1"><i>2016, Anne Le Goff, Director Atelier 231 and Viva Cité Festival</i></span></h5>
<h5 class="p1"></h5>
<h5 class="p1"><span class="s1"><i>&#8220;Such a beautiful and inventive piece &#8211; also so moving.&#8221; </i></span></h5>
<h5 class="p1"><span class="s1"><i>Bradley Hemmings, Artistic Director, Greenwich + Docklands International Festival</i></span></h5></div>
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				<div class="et_pb_text_inner"><span class="s1">Top line photo credits left to right: Vipul Sangoi, Dibs McCallum, Vipul Sangoi, Dean Buckfield, Joe Barnstop</span></p>
<p>Bottom line photo credits left to right: Vipul Sangoi, Vipul Sangoi, Victor Frankowski, Joe Barnstop</div>
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		<title>Fragile_</title>
		<link>https://maresavonstockert.com/project/fragile-fr-translation/</link>
		
		<dc:creator><![CDATA[Maresa von Stockert]]></dc:creator>
		<pubDate>Fri, 20 Sep 2013 19:33:04 +0000</pubDate>
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				<div class="et_pb_text_inner"><h3><strong>Fragile</strong></h3></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>Year:</strong> 2013 </span></p>
<p class="p1"><strong><span class="s1">Credits:</span></strong></p>
<p class="p4"><span style="text-decoration: underline;"><span class="s1">Performed by and created in collaboration with: </span></span></p>
<p class="p5"><span class="s2">Lucas Bergandi (tightwire)<br />
Stephanie McMann<br />
Beth Powlesland;<br />
Laura Smith &amp; Mark Pieklo (trampoline)<br />
and David Vossen</span><span class="s1"><br />
</span></p>
<p class="p5"><span class="s2">The set has been created in collaboration with French scenographer Fabrice Deperrois of Les Plastiqueurs and Tilted’s production manager Jeremy Cox with structural engineering by Jason Tucker of Maltbury Staging. </span><span class="s1"><br />
</span></p>
<p class="p4"><span class="s1"><span style="text-decoration: underline;">Sound design:</span> Oliver Thomas.</span></p>
<p class="p1"><span style="text-decoration: underline;"><span class="s1">Choreography, Direction &amp; Concept: </span></span></p>
<p class="p1"><span class="s1">Maresa von Stockert</span></p>
<p class="p1"><span style="text-decoration: underline;"><span class="s1">Funders and Supporters:</span></span></p>
<p class="p2"><span class="s1"><img decoding="async" class="wp-image-2412 alignnone size-medium" src="https://maresavonstockert.com/wp-content/uploads/2020/09/ACE-logo-300x81.jpg" alt="" width="259" height="70" />.  <span class="Apple-converted-space">       </span></span></p>
<p class="p6"><span class="s2">Fragile was<span class="Apple-converted-space">  </span>commissioned by PASS – Circus Channel, an European network between UK and France, with La Brèche, Pôle National des Arts du Cirque de Base-Normandie (Cherbourg – Octeville) and SeaChange Arts, an Arts Development and Promotion Agency (Great Yarmouth) acting as co-producers together with Atelier 231, Centre National des Arts de la Rue and Viva Cité Festival (Sotteville-les-Rouen). </span><span class="s1">Fragile also received a Creation aid by the IN  SITU network, in the frame of the META project. </span>The project has been funded with support from the European Commission (DGEAC – Culture programme).</p></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>Fragile</strong> unfolds on a large-</span><span class="s2">scale transformative set that depicts a derelict building’s rooftop and subtly integrates a tightwire and a trampoline that tilts.<span class="Apple-converted-space">  </span></span><span class="s1">The choreography seamlessly combines contemporary circus, dance and physical theatre as it exposes tender as well as dysfunctional relationships that become entwined in this rooftop paradise of green discomfort and warped realities</span><span class="s2">.</span></p>
<p class="p3"><span class="s1"><strong>Fragile</strong> was on an extensive national and international tour from May until September 2013 &#8211; 32 performances in 3 different countries with audiences reaching altogether approximately 18,000 people. The tour included performances at </span><span class="s3">Asteroid Festival, Copenhagen, DK; Escapades d’été, Cherbourg, FR</span><span class="s4">; Festival Z&#8217;Amis, Soirs d&#8217;été, Caen, FR; Festival Sortie de bains, Granville, FR; Greenwich + Docklands International Festival, London, UK; Mintfest, Kendal Norfolk and Norwich Festival; Salisbury International Arts Festival, UK; Out There Festival, Great Yarmouth, UK</span><span class="s3">; </span><span class="s4">Regneville sur mer, FR; Stockton International Riverside Festival, UK</span><span class="s3">; </span><span class="s4">Viva Cité Festival, FR.</span></p>
<p class="p4"><span class="s1">Running time: 80 minutes</span></p>
<h5 class="p5"><span class="s1"><i>“a carpet of moss covers part of the set, greenery invites itself and takes over. As if reacting to the sylvan properties of the place, the performers hang upside down, in one movement defying gravity and classical perspectives, and at the same time the conventions of human relationships.” </i></span></h5>
<h5 class="p6"><span class="s1"><i>Antoine Boyer, Sylvain Marchand, ZEPA2 article</i></span></h5>
<p>&nbsp;</p>
<h5 class="p8"><span class="s1"><i>“…The hidden trampoline in the rooftop set is a delight and Laura Smith and Mark Piekloʼs expertly choreographed jumps and twists were poetry to watch.”</i></span></h5>
<h5 class="p9"><span class="s1"> <i>James Goffin, Norwich Evening News</i></span></h5>
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				<div class="et_pb_text_inner">Top line photo credits left to right: <span class="s1">Sylvain Marchand,  David Morris, D.Daguier, David Morris</span></p>
<p>Bottom line photo credits left to right: David Morris</div>
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		<title>SEASAW_</title>
		<link>https://maresavonstockert.com/project/seasaw-fr-translation/</link>
		
		<dc:creator><![CDATA[Maresa von Stockert]]></dc:creator>
		<pubDate>Thu, 20 Sep 2012 19:32:37 +0000</pubDate>
				<guid isPermaLink="false">https://maresavonstockert.com/?post_type=project&#038;p=2437</guid>

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				<div class="et_pb_text_inner"><h3><strong>SEASAW</strong></h3></div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1"><strong>Year:<br />
</strong></span>2010-2012</p>
<p><strong><span class="s1">Credits:</span></strong></p>
<p class="p1"><span class="s1"><u>Performed by and created with:<br />
</u></span></p>
<p class="p1"><span class="s1">Amy Bell<br />
Neil Callaghan<br />
Joss Carter<br />
Andras Fodor<br />
Kip Johnson<br />
Eithne Kane<br />
Adam Kirkland<br />
Sally Marie<br />
Stephanie McMann<br />
Simon Palmer<br />
Beth Powlesland<br />
Alessandra Ruggeri<br />
Louise Tanoto<br />
Ming-Hei Wong</span></p>
<p class="p1"><span style="text-decoration: underline;">Rehearsal Director (2012):</span> Amy Bell</p>
<p class="p1"><span style="text-decoration: underline;">Sound Design:</span><span class="s1"> Jeremy Cox</span></p>
<p class="p1"><span style="text-decoration: underline;">Costume Design:</span><span class="s1"> Sayako Kaibuchi</span></p>
<p class="p1"><span style="text-decoration: underline;">Choreography &amp; Direction: <span class="s1"><br />
</span></span><span class="s1">Maresa von Stockert</span></p>
<p class="p1"><u>Funders and Supporters:</u></p>
<p><img decoding="async" class="wp-image-2412 alignnone size-medium" src="https://maresavonstockert.com/wp-content/uploads/2020/09/ACE-logo-300x81.jpg" alt="" width="226" height="61" /></p>
<p class="p1">Supported by Norfolk and Norwich Festival<br />
and North Norfolk District Council.</p>
<p>&nbsp;</div>
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				<div class="et_pb_text_inner"><p class="p1"><span class="s1">Integrating moving bodies into the vast landscapes of coast lines and framing them in the architecture of the outdoors</span>, <strong>SEASAW</strong> <span class="s1">playfully dissects existential questions exploring the impact of man on nature, and vice versa. </span>Merging contemporary dance and performance art, the site-responsive promenade piece plays with depth of field as it invites audiences to watch from varying distances, intimately close to afar.</p>
<p class="p1">SEASAW’s extensive national and international tour included: <span class="s2">Brighton Festival (Brighton, UK); Espace Michel-Simon (Noisy le Grand, FR); Festival Furies (Chalons en Champagne, FR); Festival Z’Arts Up! (Bethune, FR); Greenwich + Docklands International Festival (London, UK); Nausicaa (Boulogne sur Mer, FR); Norfolk and Norwich Festival (Cromer, North Norfolk, UK); Out There Festival (Great Yarmouth, UK); Pavilion Dance (Bournemouth, UK); Oerol (Terschelling, NL); Urban Moves (Manchester, UK); Stockton International Riverside Festival (Stockton-on-Tees, UK); Viva Cité (Sotteville lès Rouen, FR).</span></p>
<p class="p3">Running time: <span class="s3">60 – 70 minutes depending on promenade route</span></p>
<h5 class="p1"><i>“…Each performance was genuinely unique, attributable to original ideas and the subsequent creativity borne out of working in an outdoor site-specific setting. The work is engaging, challenging, witty, beautiful and poignant…”</i></h5>
<h5 class="p2"><span class="s1"><i>Derek Purnell, Animated Magazine, winter 2011<span class="Apple-converted-space">  </span></i></span><span class="s2"><i>&gt; Read full article</i></span></h5>
<p>&nbsp;</p>
<h5 class="p4"><i>“One of the most memorable performances betrayed seabirds in an oil slick…, it was a very powerful scene evoking a very serious issue, but to the children it appeared comical. This skill in making dances diverse enough to provoke different reactions ran throughout many of the pieces, due to clever choreography from Maresa von Stockert. … SEASAW created an hour of entertainment which remained with the viewer. It was beautifully performed, coordinated and delivered and wonderfully different.”</i></h5>
<h5 class="p4"><i>Jessica Marshall Mchattie, The Argus, 21 May 2012</i></h5>
<p>&nbsp;</p>
<h5 class="p2"><i>“An outdoor dance event is difficult enough to arrange but an outdoor site-specific promenade dance extravaganza is quite different. SEASAW is all of that.” </i></h5>
<h5 class="p2"><i>Kevin Berry, The Stage, Sept. 2012</i></h5>
<p>&nbsp;</p>
<h5 class="p6"><i>“…Von Stockert’s evocation of the sea includes pollution and environmental damage but it also has myths and poetry…</i><span class="s4"><i>.The performance is truly site-specific, making use of the landscape to hand…A model of how to do a promenade performance.</i></span><i>” </i></h5>
<h5 class="p6"><i>Zoë Anderson, Dancing Times, Aug. 2012</i></h5></div>
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<p>Bottom line photo credits from left to right: Liam Fahey, Liam Fahey, David Morris, David Morris</div>
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